Franz Xaver Winterhalter Galleries
German painter and lithographer. He trained as a draughtsman and lithographer in the workshop of Karl Ludwig Scheler (1785-1852) in Freiburg im Breisgau and went to Munich in 1823, sponsored by the industrialist Baron Eichtal. In 1825 he began a course of study at the Akademie and was granted a stipend by Ludwig I, Grand Duke of Baden. The theoretical approach to art of the Akademie under the direction of Peter Cornelius was unfamiliar to him, as in Freiburg he had been required to paint in a popular style. He found the stimulus for his future development in the studio of Joseph Stieler, a portrait painter who was much in demand and who derived inspiration from French painting. Winterhalter became his collaborator in 1825. From Stieler he learnt to make the heads of figures emerge from shadow and to use light in the modelling of faces. He moved to Karlsruhe in 1830 with his brother Hermann Winterhalter (1808-92), who had also trained with Scheler and had followed him to Munich. Related Paintings of Franz Xaver Winterhalter :. | Louis Philippe I, King of the French | The Empress Eugenie a la Marie-Antoinette | Eugenie of Montijo, Empress of France | Empress Eugeie | Young Italian Girl at the Well |
Related Artists:Raimundo de Madrazo y Garreta
Son of Federico de Madrazo y Kentz. Because of his ability and training with his father, Federico, in the Real Academia de S Fernando in Madrid and with Leon Cogniet in Paris, he seemed destined to continue the family tradition of academic painting. However, due to the influence of the Belgian Alfred Stevens, of his brother-in-law, Mariano Jose Bernardo Fortuny y Marsal, and the Parisian environment, he exchanged dry historical painting for the preciousness of the tableautin, the small, intimate genre painting. He lived in Paris and New York and became so remote from Spanish artistic life that he and Fortuny y Marsal were the only Spanish artists not to participate in any national exhibition, and because of this the Spanish state never directly acquired their works. In 1882, with Giuseppe De Nittis, Stevens and the gallery owner Georges Petit, he co-founded the Exposition Internationale de Peinture, designed to promote foreign artists in Paris. Madrazo Garreta most characteristic works are the female portrait and the witty and elegant genre painting, with soft, delicate tones and suggestive poses. The influence of the Rococo and of Japanese art is reflected in his painting, which expresses an exquisite aristocratic or bourgeois ideal, the illusion of a refined, sensual and superficial life. Consequently, his works are also described as representing the Parisian seraglio. American collectors paid high prices for his paintings, for example Alexander Turney Stewart bought Lady with a Parrot; Carnival Festival (1878) was purchased by L. Wolfe; and Girls at the Window (1875) was bought by J. W. Vanderbilt, the last two now being in the Metropolitan Museum of Art, New York. His portraits were better received in Spain although because of collectors such as Ramen de Errazu (d 1909), the Museo del Prado has a good number of his paintings (e.g. After the Bath).Ivana Kobilca
Ivana Kobilca (20 December 1861 - 4 December 1926) was a Slovene realist painter who lived, worked and studied in various European cities including Vienna, Sarajevo, Berlin, Paris and Munich. She was a member of Societe Nationale des Beaux Arts in Paris. Many of her paintings are still lifes, portraits or country settings. She later tended toward impressionism.
Her best known paintings are Kofetarica (Coffeemadam), 1888; Citrarica (The Zitherist), Likarice (Women Ironers), 1891; Holandsko dekle (A Dutch Girl), Portret sestre Fani (Portrait of Sister Fani), 1889; and Poletje (Summer), 1889.Anton von Werner
Germany (1843- 1915 ) - Painter